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piano fitness is eccentric.  listen to long lines using longer muscles and longest fingers.  "simple but profound" says katherine steadman.

112810

piano fitness is freedom.   letting go and listening.

don mclean's vincent is drawing my attention.

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piano fitness is fun!  i am still learning to listen, but learning and listening are fun!

training:
captain pairs
ff 1&3

recital prep:
debussy prelude-listening to dominant fade finds p and sets up harmony!
chopin waltz-listening to bass chords connects count 3 to 1.  3rd treble count must be pp!
bach inventions-these get attention today!

beethoven t&v slightly faster today.

joplin-memory work

mclean's vincent - hauntingly beautiful and sadly optimistic

debussy 1st arabesque  

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piano fitness perfectly poised.

training

hanon 15 bl br
big chords
ff 2


since last post-lateral awareness releasing the thumbs, gives support to all other fingers.

practicing for memorial recital:

debussy prelude s.b.
chopin waltz am
bach inventions 13/14
beethoven t&v
joplin 3 rags
debusssy 1st arabesque
bach/liszt prelude/fugue am
ravel pavane

110910

piano fitness is directional.  up/down.  parallel/contrary/oblique.  long/short.  how quickly can you let go.

training:
hanon 1 s.n. 1,2,3, mm132  s.n. 4 mm66 possibly the quickest warmup?? definitely the most practice needed!

3 five fingers    s.n. 4 in 2


preparing for my  aunt genevieve sonsara's memorial recital 12/31/10 9pm.  her 100th birthday 1/1/11
debussy prelude s.b.
debussy 1st arabasque
chopin waltz am
bach inventions 13/14  (13 feels lateral swinging arms)
bach/liszt prelude/fugue am



3 five fingers s.n.1 in 3


chopin waltz in a minor

110310

piano fitness is evolutionary.  feeling sound evolves with each repetition.  the wonderful beauty of evolution is that it's new, fresh, different every time you play.  no piece is the exact same twice.   the only time it is exactly the same is listening to the same recording.

piano club this saturday-bach inventions 13 14?

training:
10 3rds
the train
hanon 15 reversed

debussy prelude s.b.
chopin waltz in a

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piano fitness is connection.  finger contact with the key connects with the mind's ear creating the music.
                    
awareness of the neutral spine (continued release the hyper-extended thoracic spine for me) allows for more freedom for the falling arms.  awareness of the forearm alignment (the inner triceps release) awareness of the thumbs giving support to every other finger.

training:
the train
the spider
hanon  15 s.n.


playing:
bach  inventions 13 14
bach/liszt prelude fugue in a
debussy prelude s.b.